Dating antique french furniture jwdating com

Carved and gilt wood, an especially prominent feature of decoration under Louis Quatorze, hardly calls for explanation.Such work is at its best when seen by candlelight, when it seems incomparably rich in appearance.Little difficulty is presented in veneering the simple curve, but the problem of securing a veneer to a surface which is a section of a sphere or a spheroid - a kind of swelling outline termed bombe - was not solved until towards the end of the Regency.Marquetry is a more or less elaborate pattern formed from inlays of differently coloured woods.

French furniture of the period under discussion is commonly referred to either as menuiserie or ebenisterie, and these terms will henceforward be used without further explanation, since to translate them would be needlessly confusing.

• Menuiserie or Ebenisterie • Type of Decoration: Movable or Immovable • Techniques of Decoration in Wood • French Furniture-Makers (Menuisiers/Ebenistes) - Andre-Charles Boulle (1642-1732) - Charles Cressent (1685-1768) - Antoine-Robert Gaudreau (1680-1746) - Bernard Van Ryssen Burgh - Lacquer Decoration - J. Oeben (1720-63) - Jean-Henri Riesener (1734-1806) - David Roentgen (1743-1807) - Adam Weisweiler (1750-1810) - Jean-Guillaume Benemann (1750-1814) - Roger Vandercruse Lacroix (1728–1799) - Gilles Joubert (1689-1775) - Jean-Francois Leleu (1729-1807) - Martin Carlin (1730-85) - Georges I Jacob (1739-1814) • Furniture Marks and Stamps • Influences on French Furniture Design • Main Types of Antique French Furniture • Cabinet • Cupboards (Armoires) • Tables • Writing Tables (Bureaux) • Vitrines • Screens • Types of Wood Used in Furniture • Beds • Canape • Chairs • Mirrors In any review of French decorative art, furniture must inevitably play a major part, and in this article we examine briefly the development of furniture as a major artform in France, during the 17th and 18th centuries.

We look at the design of various types of furniture and furnishings, the interior architecture, as well as materials and techniques, plus some of the main designers.

These can be exceedingly complex, and floral and pictorial marquetries decorated some of the finest ebenisterie.

The term can also be applied to inlays of different materials, such as the tortoiseshell and brass marquetries associated with the name of Andre-Charles Boulle.

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